
- Role
- In-house VFX Supervisor
- Scope
- Pilot: 108 shots in 14 weeks. Season 1: 420 shots in 28 weeks. Season 2: 900 shots in 32 weeks.
- Client
- Universal / Syfy / Netflix
- Developed by
- Brian Taylor & Grant Morrison
- Locations
- New York
My contribution
As overall VFX supervisor for Axis Studios I drove the project creatively and technically, with sign-off on everything from storyboards and previs through animation, assets, FX, lighting and final comp. I worked closely with showrunner Brian Taylor on developing Happy the unicorn horse in 3D, previously a comic-book-only character.
At its peak the team approached 120 people across two sites, with key supervisors reporting to me. I was heavily involved in developing the animation and lighting pipeline that let us work at previously unknown speed and complete both seasons in record time.
Awards and nominations
- Royal Television Society Craft & Design Award nominee — VFX








